The exhibition, which is embedded between the walls of the basement hall of Haus Gallery – a few steps below the street level – is sensitively colored, playful in both the rhythm of the compositions and formats. The artist has called this series of paintings, made in mixed media, Cat Cradle. “It is a reference to a universal game, consisting of patterns woven from closed loops and certain systematic finger movements, the fingering that create this fabric. Something that comes to mind as a beautiful metaphor to describe the nature of everything earthly and living at the same time as a great game in its enormous abundance and complexity of combinations. The cat cradle illustrates the interconnectedness of all of us in this world, both at the level of each individual’s actions and collective decisions, what to perceive, feel, keep in mind and take into account. “The exhibition hall exhibits the cat cradle through picturesque surfaces, an organic, water-like flow, far from the black-and-white, positive-negative concrete paths familiar to Regina Mareta. While the author’s previous line has reflected the interpretation of large-scale meanings such as light or matter, the paintings in this series have been inspired by water. Water as a journey, movement and experience that connects thoughts and perceptions into one deeply felt creative system – a cat's cradle.